Seedance 2.5 Prompt Library for Ads, UGC, Image-to-Video & Cinematic Scenes

Cinematic luxury fashion film.

Opening: Extreme close-up of the CapCut metallic brand logo resting on a brushed matte surface. Slow-motion particle light reformation around the logo edges. Deep shadows, low key lighting, only the logo reflects a faint city skyline. Minimalist ambient drone soundscape.
Establishing shot: A tall, elegant Western female model in a tailored camel-hair coat stands against a floor-to-ceiling window overlooking a misty, low-saturation urban skyline (NYC-inspired, grey-gold hour). She holds the leather handbag loosely at her side, gazing sideways off-frame. Natural side-backlight creates a soft rim light on her silhouette and the bag’s edge.
Product macro detail: Abrupt cut to a macro dolly shot — the camera glides across the bag’s leather grain, then stops sharply at the CapCut engraved hardware buckle. The metal catches a muted golden reflection from an unseen window. Extreme shallow depth of field, foreground leather texture is sharp, background dissolves into creamy, desaturated bokeh.
Hero interaction (slow motion): The model turns slowly, places the bag on a smooth travertine table, and opens the clasp. The movement is deliberate and weighted — the leather folds and creases naturally. Camera orbits 180° around the bag during the opening motion, capturing metallic flashes and soft leather drape. Desaturated warm tone, no vibrant colors.
Abstract brand transition: A single CapCut signature color silk fabric (faded terracotta orange, heavily desaturated) drifts in the air in ultra-slow motion, then folds itself into the silhouette of the handbag against a plain studio backdrop.
Final frame (end card): Minimalist product hero shot on a muted putty-grey background. The CapCut wordmark appears below in thin, refined sans-serif typography. Fade to black with brand tagline: “CapCut — Define Your Statement.”
Unified visual rules throughout:
No bright or saturated colors — all hues lean grey-brown or muted taupe.
Lighting: single-source side/back natural light, heavy shadows.
Camera movement: slow, smooth, with occasional handheld micro-jitter for organic film texture.
Grain: 35mm film grain overlay.
No flashy transitions — only hard cuts and one slow cross-dissolve between scenes 4 and 5.
Aspect ratio: 16:9
Duration: 30s with natural pacing.

Cinematic luxury fashion film.

Cinematic luxury film for CapCut. Industrial luxury aesthetic centered on a high-end mechanical wristwatch. Desaturated steel gray, graphite, bone white palette. High contrast lighting, 35mm film grain, shallow depth of field. Ultra realistic, no stylization drift.
Product consistency rule: The same mechanical watch must remain identical in all shots. No redesign, no deformation, no extra elements added.
1.Opening (0–5s) Extreme macro close-up of CapCut logo engraved inside the mechanical watch movement. Visible rotating gears and balance wheel in slow motion.
Lighting: single hard light from upper right, strong directional beam.Camera: slow macro dolly-in through moving gears, deep black background, minimal reflections.Mood: precision, silence, mechanical luxury.
2. Establishing Shot (5–10s) Western female model wearing structured charcoal wool coat stands in brutalist concrete plaza.
She wears the same luxury mechanical watch on her wrist.Watch reflects fragmented urban geometry in muted tones.Lighting: overcast ambient light with hard rim light from right side.Camera: slow push-in medium wide shot, stable framing.
3. Macro Detail Sequence (10–15s) Extreme macro tracking shot across watch surface.
Focus progression: sapphire crystal reflection → dial texture → brushed steel case → crown → engraved CapCut micro logo on clasp.Background fully blurred into creamy bokeh.Camera: smooth lateral glide, no sudden movement.
4. Hero Slow Motion (15–22s)
Model slowly raises wrist and removes the watch, holding it in front of chest level. Camera performs smooth 270-degree orbit around floating watch.Watch rotates slowly in air, perfectly stable.Lighting shifts from cold steel tone to warm amber highlight on glass surface.One controlled whip-pan transition to next scene.
5.Abstract Transition (22–26s) Watch dissolves into metallic particles and mechanical fragments.
Gears disassemble in slow motion.Particles flow in circular motion and gradually form CapCut wordmark.
No color variation, only steel gray and muted gold tones.Motion remains smooth and continuous.
6. End Card (26–30s) Final static composition.
Luxury mechanical watch placed on matte graphite surface.
One soft golden light streak passes across the glass surface.
CapCut logotype appears below in thin minimalist sans-serif typography.
Fade out to solid charcoal black.
Tagline: CapCut — Time Crafted Differently.
Visual constraints: No saturated colors. No additional logos. No text overlays except end card. No style shifts. No object deformation. Maintain photorealistic luxury industrial aesthetic throughout.
Camera language: slow dolly, macro glide, controlled orbit only. No rapid motion except one whip-pan transition in section 4.Duration: 30 seconds. Format: 16:9.

Cinematic luxury chocolate film.

A cinematic fashion brand film, designed as a fragmented memory-driven visual story rather than a linear commercial. The aesthetic is grounded in realism, inspired by contemporary European arthouse cinema and high-end fashion editorial photography. The palette is restrained and emotional: cold morning light, washed beige concrete, muted black fabrics, and soft desaturated blues.
The film begins not with a product, but with silence. A nearly empty room is shown—an unfinished apartment with raw concrete walls, soft fog-like daylight entering through a half-open window. A single piece of fabric hangs loosely in the air, suspended by an unseen draft. The camera slowly approaches it, revealing it is part of a high-end tailored garment. No logo is visible yet.
A cut introduces movement outside the space: a female fashion model walks alone through an empty urban overpass in early morning fog. She wears a structured minimalist coat with strong tailoring lines and subtle fabric weight. The camera does not follow her directly, but observes her through distance, reflections, and partial occlusions—glass, railings, passing shadows. Her presence feels isolated, almost documentary-like.
The narrative shifts through sensory fragments rather than continuous action. Close-ups of fabric brushing against skin. The soundless tension of cloth moving in wind. The subtle deformation of textile under motion. The camera occasionally loses focus, as if remembering the scene rather than recording it. The garment becomes the emotional anchor, not the character.
A mid-sequence shift occurs: the environment changes to an interior fitting space lit by cold overhead skylight. The model stands still while multiple layers of clothing are adjusted by unseen hands (no visible stylists). The garments appear to “settle” onto her body naturally, as if responding to gravity and presence rather than being worn. Every fold and seam feels physically reactive.
The camera transitions into hyper-detailed material studies: stitching tension, fabric compression, sleeve movement lagging slightly behind motion, and subtle imperfections in tailoring that make the garment feel real and engineered. Light behaves realistically—absorbed in dark fabric zones and softly scattering on lighter surfaces.
There is no traditional hero pose. Instead, the emotional peak arrives in stillness: the model stands motionless in a quiet architectural void. The coat gradually stops moving, as if the environment itself has exhaled. The silence becomes the focal point.
In the final abstract transition, the fabric textures dissolve into flowing grayscale particles, drifting through space like fragments of memory. These particles slowly organize into geometric textile lines, briefly suggesting the outline of the garment before breaking apart again.
The final frame is not a typical product shot. It is a still image-like composition: the garment resting naturally on a sculptural surface, half in shadow, half in soft daylight. No forced symmetry. No staged perfection. Just material, light, and silence.

Fragmented memory-driven visual story

Cinematic luxury film for CapCut. Industrial luxury aesthetic centered on a high-end mechanical wristwatch. Desaturated steel gray, graphite, bone white palette. High contrast lighting, 35mm film grain, shallow depth of field. Ultra realistic, no stylization drift.
Product consistency rule: The same mechanical watch must remain identical in all shots. No redesign, no deformation, no extra elements added.
1.Opening (0–5s) Extreme macro close-up of CapCut logo engraved inside the mechanical watch movement. Visible rotating gears and balance wheel in slow motion.
Lighting: single hard light from upper right, strong directional beam.Camera: slow macro dolly-in through moving gears, deep black background, minimal reflections.Mood: precision, silence, mechanical luxury.
2. Establishing Shot (5–10s) Western female model wearing structured charcoal wool coat stands in brutalist concrete plaza.
She wears the same luxury mechanical watch on her wrist.Watch reflects fragmented urban geometry in muted tones.Lighting: overcast ambient light with hard rim light from right side.Camera: slow push-in medium wide shot, stable framing.
3. Macro Detail Sequence (10–15s) Extreme macro tracking shot across watch surface.
Focus progression: sapphire crystal reflection → dial texture → brushed steel case → crown → engraved CapCut micro logo on clasp.Background fully blurred into creamy bokeh.Camera: smooth lateral glide, no sudden movement.
4. Hero Slow Motion (15–22s)
Model slowly raises wrist and removes the watch, holding it in front of chest level. Camera performs smooth 270-degree orbit around floating watch.Watch rotates slowly in air, perfectly stable.Lighting shifts from cold steel tone to warm amber highlight on glass surface.One controlled whip-pan transition to next scene.
5.Abstract Transition (22–26s) Watch dissolves into metallic particles and mechanical fragments.
Gears disassemble in slow motion.Particles flow in circular motion and gradually form CapCut wordmark.
No color variation, only steel gray and muted gold tones.Motion remains smooth and continuous.
6. End Card (26–30s) Final static composition.
Luxury mechanical watch placed on matte graphite surface.
One soft golden light streak passes across the glass surface.
CapCut logotype appears below in thin minimalist sans-serif typography.
Fade out to solid charcoal black.
Tagline: CapCut — Time Crafted Differently.
Visual constraints: No saturated colors. No additional logos. No text overlays except end card. No style shifts. No object deformation. Maintain photorealistic luxury industrial aesthetic throughout.
Camera language: slow dolly, macro glide, controlled orbit only. No rapid motion except one whip-pan transition in section 4.Duration: 30 seconds. Format: 16:9.

Cinematic luxury eyewear film.

Cinematic luxury eyewear film. Desaturated charcoal-and-sand palette, high contrast, 35mm film grain, shallow depth of field.
1. Opening: Extreme close-up of CapCut logo etched inside sunglass temple, catching a hard angled sunlight flare. Rest is deep black. Slow dolly-in.
2. Establishing: Western female model in oversized sand blazer, standing in brutalist city alley. She wears sunglasses — lenses reflect desaturated urban geometry. Overcast top-light with hard rim from right.
3. Macro: Glide across lens surface — city reflections shift across glass. Rack focus to brushed titanium hinge and temple tip. Everything else in creamy bokeh.
4. Hero slow-motion: Model removes sunglasses slowly, holds at chest level. Camera orbits 270°, lens tint shifts from dark grey to warm amber. She places glasses on travertine ledge.
5. Abstract transition: Faded terracotta silk wraps around a floating sunglass silhouette, then dissolves into particles reforming CapCut wordmark.
6. End card: Sunglasses flat on matte-grey surface, one lens catches soft golden edge light. CapCut logotype below in thin sans-serif. Fade to charcoal black. Tagline: "CapCut — See Beyond."
Unified rules: No vivid colors — all greys, sands, charcoal. Single hard light from upper-right, long sharp shadows. Deep blacks, compressed highlights. Camera: slow dolly, smooth orbit, one whip-pan between scenes 3 and 4. Transitions: hard cuts only, one slow dissolve between 5 and 6. Duration 30s. 16:9

Cinematic luxury hand cream film for CapCut.

Generate by Seedance2.5, 9s, 9:16. Create a 10-second luxury commercial TVC with the visual quality of a premium fashion campaign. Ultra photorealistic, cinematic lighting, premium commercial cinematography, natural colors, realistic physics, high-end advertising aesthetics.
0.0–1.5s: Open with extreme close-ups of a beautiful female tennis player @image2 wearing elegant white tennis apparel @image 1. Sweat slowly rolls down her forehead, neck, and shoulders under warm afternoon sunlight. Show detailed shots of her tightening her grip on the racket, breathing calmly, and focusing on the target. Slow cinematic push-in, shallow depth of field, luxury fashion commercial atmosphere.
1.5–3.5s: She tosses the tennis ball into the air. Time immediately enters dramatic bullet time. The camera performs a smooth 270-degree orbit around her while the ball, hair, skirt, and floating sweat droplets remain suspended in mid-air. Elegant slow motion, premium motion control, cinematic lens compression, subtle wind movement, intense anticipation.
3.5–5.5s: The racket strikes the ball with explosive force. Time instantly accelerates through a powerful speed ramp. Switch to an ultra-dynamic FPV camera tracking directly behind the tennis ball as it rockets across the court. Combine curved camera movement, high-speed tracking shots, motion blur, dynamic lens breathing, aggressive perspective shifts, and seamless speed variations, emphasizing the model's ability to generate complex commercial camera movements.
5.5–7.5s: On the opposite side of the court stands a perfectly stacked wall made entirely of hundreds of tennis balls. The incoming ball smashes directly into the center. After a brief moment of silence, the entire structure explodes dramatically. Hundreds of tennis balls burst outward in beautiful slow motion while the camera flies directly through the explosion with cinematic precision.
7.5–9.0s: Instead of scattering randomly, every tennis ball becomes perfectly synchronized, gracefully flowing through the air as if controlled by invisible motion design. They smoothly reorganize into large floating typography reading "Seedance 2.5", composed entirely of realistic tennis balls. The camera slowly pushes through the typography as sunlight shines between the balls, creating a premium luxury advertising moment.
Luxury TVC. Premium fashion film focus on tennis outfit and model, Commercial-grade cinematography. Ultra realistic. No gaming aesthetics. No cartoon style. No exaggerated CGI. Every frame should look like an international brand campaign produced by a world-class advertising agency. NO nike brand

Luxury hand cream film

Cinematic luxury hand cream film for CapCut. Desaturated warm cream, soft amber, and elegant warm grey palette, with subtle 35mm film grain, shallow depth of field, and a premium skincare commercial aesthetic. The film opens with an extreme macro shot of the CapCut logo embossed on the lid or body of a high-end hand cream tube or jar, where soft golden light glides across the packaging surface and reveals refined material texture, while a dark moody background keeps the product isolated and luxurious as the camera slowly dollies in. The scene then moves into a minimalist sunlit interior with sheer curtains and sculptural neutral decor, where a Western female model in a flowing cream silk robe or dress gently holds the CapCut hand cream near her face and hands, her expression calm and relaxed, eyes softly closed, bathed in diffused natural window light. The camera shifts into ultra-macro detail of the cream texture itself: a small amount of product is squeezed out in slow motion, forming a smooth sculptural ribbon with silky density, soft peaks, and glossy highlights, as the lens captures its richness and softness in an abstract beauty shot with everything else melting into warm bokeh. The model then applies the cream slowly to the back of her hand and fingers, spreading it with elegant, natural gestures as the texture transforms into a thin luminous veil on the skin, catching a subtle rim light and emphasizing hydration, softness, and comfort, while the camera tracks gently sideways. A more atmospheric hero moment follows as she lifts her hand through a shaft of warm light, and the glow on the skin blooms softly, suggesting nourishment and luxury. This visual glow transitions into an abstract motion sequence where creamy light trails and soft particles swirl in the air, briefly forming the silhouette of the CapCut hand cream packaging before dissolving into elegant particles that reform into the CapCut wordmark. The final end card features the CapCut hand cream centered on a textured cream marble or stone surface, styled with a single small droplet of cream and soft edge lighting to emphasize premium form and texture, while the background fades from warm light into deep shadow. Elegant typography appears below with the tagline: “CapCut — Touch of Luxury.” Unified rules: no vivid colors, only cream, amber, beige, and warm grey tones; lighting should remain soft and diffused with occasional controlled hard edge highlights; deep shadows should be preserved for contrast; camera language should use slow dolly, gentle orbit, and one restrained lateral tracking shot; transitions should be mostly hard cuts with one soft dissolve near the ending; aspect ratio 16:9; duration 30 seconds; pacing natural, smooth, and luxurious.

Perfume Ads Film

Reference the camera movements, shot composition, and editing style of Video @2, replacing the original subject with the person from Image @1 while preserving their exact identity, and create a cinematic, high-end commercial with premium visuals.

Prompt 1

The female livestream host in the photo is recording a product-selling video. She speaks directly to the front-facing camera of an iPhone while introducing the hat in her hand entirely in English. She naturally tries on the hat during the presentation to highlight its design and details. The entire video is filmed in one continuous take with no cuts or separate shots.

Prompt 2